Birgitta and her husband live north of San Francisco, in a house on a hill, overlooking the ocean. When not writing, she walks along the bluff and up into the forest, alone or with friends. Tutoring local children keeps her grounded.
She studied Swedish, English and German Literature, earning Master’s Degrees from the University of Lund, Sweden, and the University of California at Davis. While covering the San Francisco art beat as a contributing editor for Art & Auction in New York, she also wrote Artful Players, a book on early California art, published by Balcony Press.
“One must know the world so well before one can know the parish.”
Turning to fiction, she drew on memories of her native Sweden, where she spent her childhood summers in a village much like the one we encounter in Fylgia. Sarah Orne Jewett’s words to Willa Cather still hold true: “Of course, one day you will write about your own country. In the meantime, get all you can. One must know the world so well before one can know the parish.”
by Birgitta Hjalmarson
Journal by Birgitta Hjalmarson A shorter version of this post was first published by Women Writers, Women Books at http://www.booksbywomen.org. They named him Emir, after those powerful Arab rulers. He was an Ardennes draft horse, a...
Journal by Birgitta Hjalmarson SUSAN MARY MALONE / JUNE 26, 2018 Creating a Great Novel out of Historical Events This week we have an interview with Birgitta Hjalmarson, whose beautiful novel, Fylgia,was published this month by...
Journal by Birgitta Hjalmarson READING TOMAS TRANSTROMER Tomas Transtromer’s poems won’t leave you alone. They’re dark, infused with dread, but also shot through with light, as when, nearby, a string quartet plays Schubert. So much...